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September 2002
Thrust and parry
Are the glory days over? The days when surfers in Kombis went off
on pilgrimages and camped out in wild places, seeking the soul of
the wave, the communion of the surf. Or has commercialism and crass
ambition stolen the virginity of surfing? By self-confessed hodad
TONY WEAVER
RIP! SLASH! CARVE! THRUST! LACERATE! SHRED! RAGE! TEAR!
Thats the language of modern surfing and it makes old-timers
like me shudder. Theres a new, amped up, head-banging aggro
mood that is storming the surfing world, turning one of the worlds
most graceful and laid-back sports into a gladiatorial arena of
neon-shouldered wetsuits and luridly-decalled boards.
But theres also a new wave of surfers out there going back
to the roots of the sport, surfing Malibu and mini-Mal longboards,
styling, grooving, hanging five and hanging ten in an apparent throwback
to the good old days. Yup, Soul Surfing is back. There are also
scads of surfers who would rather paddle into the water at Kommetjies
Long Beach, into a crowd of 30 other surfers, desperately fighting
it out for pole position in the line-up, hoping for that one magical
wave when their neon wetties and bright red boards stand out from
the crowd, and some surf photographer utters the magical words whos
that kid?
How do you define soul surfing? For me, its as intangible
as trying to define falling in love, or trying to describe that
indescribable moment when you poke your head out of a tent in a
Tanzanian sunrise and see the plains of the Serengeti stretched
before you, covered in a million milling animals in a mad migration.
Soul surfing is poetry and art, music and light, a moment frozen
in time. A soul surfer will be able to describe in incredible detail
what it felt like to be inside the barrel of a perfect Jay-Bay tube
ten years ago. A competition surfer wannabe will be able
to describe in intimate detail how he or she pulled off a radical
manoeuvre like a free-floating aerial, or a 360 degree tail-sliding
spin down the face.
Ask me about my best waves: I can tell you in fine detail about
a magic morning years ago at Olifants Bos Point when, with the mist
just burning off in the early morning sun, I took off on a wave
and dropped straight into a stand-up, dry barrel, my arms outstretched,
not able to touch sides, the tunnel getting smaller and smaller
and then, whoomph, a punch of air in the back blasting me out of
the tube and onto the shoulder where three of my buddies were yelling
in sheer delight at the poetry of the moment.
Somewhere along the line, surfing lost its virginity.
The January 2000 edition of Surfer Magazine, the Bible of competitive
surfing, carries a cover story titled Soulier Than Thou.
Its a bit of a cheap shot diatribe against soul surfing which
comes to the conclusion that all surfers are soul surfers, and that
there is no such thing as soul surfing. Sounds contradictory, but
the basic premise is that people who claim to be soul surfers are
contemptuous of the competition circuit, sponsorships and kids who
head bang out in the backline in brightly coloured wetsuits and
logos all over their boards. But, the article implies, this is actually
just a jealousy thing, because secretly, all surfers would love
to be paid to do nothing but surf, so the ones who arent good
enough to make the grade hide behind a mystical, soulier than
thou attitude.
In the States, it seems, there is a battle on the go between those
who call attention to themselves in the water, and those who surf
in black wetsuits and with clear white boards, unsullied by any
logos. Author of the article, Surfer field editor, Sam George, says
that the soul surfer brigade have imposed a moral code on surfing
as rigid as any Calvinists and the soul surfers
are as conservative as those zealous Christians who in turn-of-the-century
Hawaii tried to stamp out this free-spirited sport (of surfing).
Surfer editor, Evan Slater, writes in his editorial that thanks
to Georges article, Surfer is allowing us all to break
away from the crusty hierarchy and pious code of conduct that has
survived since the early 70s. Just as German theologian Martin Luther
argued that human intermediaries (ie the Catholic Church) shouldnt
come between ones relationship with God, (George) contends
that pure surfing does not necessarily wear black and
white and a scowl on his face just because some guy from the Ranch
(a notoriously closed local Californian surf spot) said so.
Now besides the dubious arrogance of comparing your field editor
to Martin Luther, there are a number of things I find wrong with
this statement. Maybe I lack a fundamental understanding of the
American surfing scene. Maybe things are very different there. But
in South Africa (or more precisely, the Western Cape and Overberg
waters where I do most of my surfing), there is a whole different
view on this debate, and it has nothing to do with Calvinism, Martin
Luther or your relationship with whatever god you want to worship.
But it does have everything to do with respect.
Musician, poet, writer and surfer Robin Auld was once a competitive
surfer, riding in the Western Province colours for four years. Hes
been living in London and Europe for the past four years, grey places
where the horizon is seldom above the top of the skyscrapers. Now
hes back in Cape Town, not in his beloved Kalk Bay, where
he cut his surfing teeth on Kalk Bay Reef, but living in Kommetjie.
For Robin, surfing is a very personal thing, and yes, I do
wear a black wetsuit. I really think that the whole fight between
soul surfing and commercial surfing is a load of bullshit. But these
days I notice a lot less manners in the lineout, the laaities are
always trying to snake you, but maybe you and I are just getting
older, so we notice these things, we want some respect. The new
wave of surfers seem to expect dropping in and aggro in the water
as part of the game.
The respect thing just doesnt seem to apply anymore,
and thats sad. Aggro has taken its place, its almost
like a corporate culture, the MTV generation, the de rigueur tattoos.
I guess if I had to try and define soul surfing, I would say it
means that the wave is something you try to flow with, rather than
something on which you try to stamp your personality, its
about style, its a dance, it is never nice to see someone
rip a wave when what they are doing is fighting against the wave,
its not about fighting the wave, its about letting the
wave ride you.
Picture this scene (it happened to me recently). A buddy and I
are in the parking lot at Platboom in the Cape of Good Hope Nature
Reserve. This is a rural wave in the best sense of the word, a wave
of stunning beauty in a place of cosmic calm. Were busy suiting
up (yes, we do wear black wetsuits, although I confess mine has
a touch of faded blue on the sleeve, and yes, our boards are free
of logos, other than that of the shaper) when a Golf GTI XYZ pulls
in. Its early morning. There are a group of elderly hikers
booting up for a mornings walk through the reserve. We have
already paid our respects to each other.
The Golf has five people inside and a quiver of boards on the roof.
We hear the car coming from the top of the hill, boom budda boom
budda boom budda boom budda boom blasting from the speakers, and
those are the words of the song. The guys get out of the car, the
music still blasting, one of the elderly hikers walks over and says
excuse me, guys, wont you turn that off, this is a National
Park. He is met with a stream of f
off you oxygen
thief and go f
baboons and high fives from
the buddies. They are all manic, their breakfast was chemical, not
organic. Among them I recognize two Cape Town hotties,
competition surfers. My buddy and I get unsuited and head off for
a secret break, knowing that Platboom would be perfection, but not
having any desire to share the water with five aggro, pumped up
surf wankers.
Today, you get 100 surfers in the backline at Long Beach on a good
day alone, there must be tens of thousands of surfers in and around
the Peninsula, probably more around Durban, and there are only so
many good waves to go around. Pecking orders established over the
years go out the window, and laaities drop in on you then snarl
that me and my buddies will f
you up in the parking
lot if you yell at them for their bad manners.
Kelly Slater is probably one of the most phenomenal surfers the
world has ever seen. He has been the Association of Surfing Professionals
(ASP) world champion six times, although he is probably equally
famous for having been Pamela Andersons boyfriend. He is a
surfing millionaire several times over.
In an interview with Slater last year, Outside Magazine contributing
editor, Tad Friend, got to the nub of Slater, and also to the heart
of what commercial surfing, the opposite of soul surfing, is all
about. (Slater) has almost single-handedly taken the sport
to a new level of marketing cool. Old-school surfers carved elegant
lines on long boards and prided themselves on shunning the marketplace
to do manly battle with the sea. Slater is the millionaire poster
boy of the new school, which cuts skate-rat maneuvers on the lip
of the wave with potato-chip boards and busts air out of a sea of
froth in magazine ads to demonstrate the superiority of a particular
line of apparel.
Slater tells Friend: ""Now that I've exceeded every goal
I ever set," he says, "I'm basically taking this year
(1999) off to look for a new fuel source. I was winning on anger,
but I used all the angry energy up. I used to be able to fire up
for anyone who'd beaten me in a heat, anyone who said anything negative
in a magazine. I tried not just to win heats, but to dominate them,
smother the other guys, kill them.
I cant help comparing Slaters life, the media pressure,
the hype, with that of the man I regard as one of South Africas
greatest big wave surfers ever, Pierre de Villiers. Pierre works
out of a little shaping shop in Kommetjie, and lives in a wooden
house he hand built high on the hillside at Scarborough, with great
views of the point break. Pierre has pioneered or helped pioneer
some of the heaviest big waves in South Africa, and the world. Sunset
reef off Kommetjie and Dungeons, off the Sentinel at Hout Bay, along
with the Crayfish Factory at Soetwater, are his stomping grounds..
For me, surfing is for myself, says Pierre, it's
got nothing to do with anybody else, so I don't know how other people
see me, but it's really a personal thing, it has nothing to do with
how other people see me on the wave, it's how I feel on the wave,
so I can't really see any sense in competitions, my surfings got
nothing to do with anybody else, it's a very personal thing how
and where you ride a wave.
It is on the moving mountains of Dungeons and the Factory that
Pierre moves onto a higher plane of soul. Big wave legend, Buzz
Trent, once said "waves are not measured in feet and inches,
they are measured in increments of fear."
I ask Pierre what its like paddling into Dungeons on a big
day (which is about five times bigger than any wave I will ever
surf, in feet and inches, but ten thousand times bigger in terms
of the increment of fear). He stares into space. Then, jaaaaaaa,
paddling in at twenty feet, jaa, what does it feel like? (long pause)
I think everything else is blocked out at that point, you're very
single minded. Everything's happening so fast, but at the same time
it's kind of like slow motion, you're dropping down and there are
so many situations coming at you, there's bits of chop on the face,
or there's a bit of a ledge that's come up from a rock underneath,
the wave's changing all the time, it seems like time has expanded.
Time gets expanded and you're noticing little things, you're noticing
little bits of kelp floating up the wave, or people on the side
of you, you tend to notice small things that seem to take a long
time and you're adjusting to the situation all the time, you're
changing the track of your board or setting an edge a little bit
harder, to do the things that are going to take you out of that
situation again.
Another country, another big wave surfer.
Friday, December 23, 1994, the day Mark Foo died. Mark Foo was
everything Pierre de Villiers is not. Outside Magazine contributing
editor, Jon Krakauer, says of Mark Foo that he was not afflicted
with an excess of modesty or self-doubt. In his résumé,
he unabashedly described himself as "surfing's consummate living
legend." Detractors called him grandiose, and worse, but it
didn't crimp Foo's style. In his Filofax were the phone numbers
of surfing's premier photographers, whom he cultivated and kept
in close contact with...
Foo made no bones about his thirst for fame or his strategy
for achieving it: ride the world's biggest waves with singular audacity,
and do it when the cameras were rolling.
Mavericks, off the California coast, is rated as one of the
scariest waves in the world. Krakauer wrote that shortly before
noon, Foo saw a beefy set rear up on the horizon. The wave he went
for stood approximately 30 feet from trough to crest
He let
the first wave of the set go by and then spun around and dug hard
for the second. His takeoff looked good. Foo jumped into his trademark
crouch as the wave pulled to concave, his arms stretched wide and
low for balance.
Suddenly the wave jacked up and the bottom fell out of it: Foo's
board veered suddenly to the left, the inside rail bogged in some
chop, and Foo was thrown violently off the front. He slammed into
the water with tremendous force, a hard belly flop that wrenched
his arms back and hyperextended his spine. He skipped down the face
like a flat stone and never penetrated the wave far enough to have
a shot at escaping out the other side. Embedded in the wall of the
heaving green barrel, he was drawn back up the face and sucked over
the falls. Viewed in slow motion, the video shows Foo's ghostly
silhouette suspended in the roof as the wave throws forward, arches
down, and then crashes into the pit with a horrific explosion of
whitewater that splinters his board into three pieces.
As Foo had lived, so he died: in the camera's mythologizing
eye.
Pierre de Villiers describes taking off on a monster wave like
the one that killed Mark Foo: You've got this mountain of
water and it's changing shape all the time, so your course is never
clear. You've got to handle each thing as it happens, and although
it's happening in a matter of seconds, it's actually taking this
enormous time to get through, it seems like every second is stretched
out into infinity. The wave is moving, it seems like it's chasing
you, it's like this living thing, this roaring monster that's curling
up behind you, and if you don't have the speed, or make a wrong
move, if falls down on top of you and eats you up. When you're riding
the wave, you still have some degree of control, but when you're
actually wiped out, you cant even put your finger to your
nose, your body's that much out of control, there's no action you
can do to get you out of it, you just have to relax and ride the
storm.
While I mourn the death of Mark Foo, I do not like what he and
his kind represent in the cosmos of surfing. If I had to choose
between being in the water on an equal footing with, and equally
as good as (dream on, hodad) Kelly Slater, Mark Foo, Pierre de Villiers
and Robin Auld, I would choose Pierre and Robin any day of the Millennium.
And I would show them max respect.
So what is soul surfing? I doubt there are any answers. For me
its that warm, fuzzy feeling I get during a really good session
with a couple of buddies, nobody hassling us, just having fun, styling
and enjoying life. The waves dont even have to be very good,
because no matter how slap a wave is, we should always show it respect.
As Pierre says:
The wave's coming from so far away it seems to me like you're
in a transition point of energy, that wave was created so many thousands
of miles away and it hits the beach and breaks from top to bottom,
and that's the point that the energy is changing. You get inside
of this wave, inside the stomach of the wave, and you're riding
along at the point where that energy changes from one form to another,
you get completely filled with some kind of cosmic energy. If you
can make it out in one piece again, it feels like getting born again,
and each time you do it, it's like a re-entry into the world.
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